My work begins with a question.

I am interested in what happens when sound meets movement, when technology meets intuition, or when something familiar is placed in an unfamiliar context.

Through composition, live electronics, improvisation, and instrument design, I create systems where performers, audiences, objects, and machines can influence one another in real time. Rather than treating technology as a tool or a subject, I approach it as a collaborator.

Across my work, I return to the same curiosity: how can sound transform the relationships between bodies, memories, spaces, and the things we build?

My background in jazz taught me to listen before reacting. That way of thinking continues to shape my practice today. Whether composing for dance, building new instruments, or performing with modular synthesizers, I am less interested in complete control than in creating the conditions for something unexpected to emerge.

Each project is an experiment—not to prove an idea, but to discover one.